Tiana Hemlock-Yensen

Tiana Hemlock-Yensen

Course
SNDO - Choreography
Class
2016
Email
tiana.hemlock@gmail.com

There are no insider tips.

The possibility of choreography and especially dance to generate spaces that could maybe dis and re locate us in relationship to current ideas of continuity and reality is something that keeps me coming back to performance. I love the materiality of the body, both dealing with the practical anatomical structure but also the visceral and affective nature that it has the possibility of producing. Concretizing absurd, abstract ways of thinking and squishing them into space. Seeing theater as a testing ground and diagnostic tool for possible ways of operating.

The disgusting, the beautiful and the useless (especially in combination). The uncanny contradiction of investment in sensation and a depersonalization of bodies. Karen Barad.

Welcome to the Gild

A practice that connects you to everything and connects THAT everything to everything else, especially if it is shit. We generate a generative homogenization of people, things and ideologies. This is magic and we believe in believing. We are a locating device that doesn't know where it is. We are not sure if we are in charge but we are pretty secure about it anyway, don't you think?

Other Projects

Current work, Come Fort to premiere in Frascati in June.

Indelible/ Inedible (In gratitude for in-possible things) 2015

SLURCH 2014

If. And. Or. 2014

You Are Kind Of Like A Hairy Stranger I Know. 2013

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