Bachelor's Degree in Basso Continuo
Please download: Programme Structure and Credits
The Conservatorium van Amsterdam is the only conservatory in the Netherlands to offer the specialist subject of basso continuo at the bachelor’s level. Harpsichord, organ and fortepiano bachelor students having completed their second year of study may specialize in the principal subject of basso continuo in their third and fourth year.
External candidates will be admitted in the third year after they have passed the entrance examination on condition that they hold a bachelor’s degree in harpsichord, organ or fortepiano, or demonstrate an equal level of proficiency at their instrument. Candidates who do not hold such a degree must be able to produce a certificate proving that they have completed the general theory subjects.
The bachelor’s degree programme in basso continuo should be seen as a specialization originating from the more general field of ‘historical keyboard instruments’ (organ, harpsichord and fortepiano).
The following components are included in the principal study:
* basso continuo accompaniment of chamber-music repertoire
* basso continuo accompaniment of opera and orchestra
* improvisation (teacher: Miklós Spanyi)
* regular evening group recitals
* participation in masterclasses
* attending the rehearsals and concerts of acclaimed orchestras and ensembles
‘Free space’ electives (third and fourth year): pleae see the general selection of electives in the Elected Components programme.
This principal subject includes the following subsidiary theory courses:
* Historical Harmony in Performance Practice (two-year course)
* Historical Treatises (two-year course)
At the end of the third year:
* end-of-year examination lasting 20 minutes: works from various style periods
At the end of the fourth year:
* final examination lasting 50 minutes: works from various style periods
admission requirements for the principal subject
During the entrance examination, which lasts around twenty-five minutes, candidates are required to play a number of solo compositions for harpsichord and chamber-music accompaniment parts in various styles. The solo harpsichord programme should consist of a selection from the following categories:
* toccata by Frescobaldi or Froberger, or a prelude non mesuré
* several movements from an English suite, partita, or prelude and fugue by J.S. Bach
Candidates will then perform movements from chamber works in French and Italian/German style by eighteenth-century composers such as Hotteterre and Telemann or Handel.