- Op een andere manier lopen (translated: Walking a different way), by Hester van Hasselt & Marijke Hoogenboom, in: rekto:verso nr. 69 December 2015 - Januari 2016.

- Geen verbinding zonder besmetting (translated: No connection without contamination) , interview with Dominique Willaert & Jeanne van Heeswijk by Marijke Hoogenboom & Wouter Hillaert, in: rekto:verso nr. 69 December 2015 - Januari 2016

- Van olie naar Graduate School, Hester van Hasselt in conversation with Marijke Hoogenboom for de Theaterschool, 2016.

- Moestuin van het cultuurlandschap (translated: Growing the arts in the cultural landscape),  in: ON AIR 2015-16, Amsterdam University of the Arts.

- De nakende school, (translated: The School Unbound) in: rekto:verso nr. 68 Oktober - November 2015 

- Künstlerische Forschung in den Niederlanden und an der Amsterdam University of the Arts, in: Frankfurt in Takt 15/2 Künstlerische Forschung.

Lecture For Every One in Darmstadt Germany, 29 and 30 July 2014.

- Skills of the 21st century (translated: Skills of the 21st Century), in: ON AIR 2014-15, Amsterdam University of the Arts.

- 'Imagine things otherwise', A text for the 10th anniversary of the Hessische Theaterakademie, 7 december 2012

- Beitrag 'Alphabet der Transdiszuplinären Forsung', Graduiertenkolleg Versammlung und Teilhabe, Urbane Öffentlichkeiten und performative Künste, www.versammlung-und-teilhabe.de, 2012 Hamburg Germany.

- 'Het lectoraat is een motor voor innovatie', interview by Moos van de Broek with Nirav Christophe, Marijke Hoogenboom and Pascal Gielen, Theatermaker October 2012, Amsterdam

- Columns ON AIR, views and voices from the Artist in Residence programme at the Amsterdam University of the Arts. Vol. 1, September 2010, Vol. 2 March 2011, Vol. 3 October 2011, Vol. 4 June 2012, Vol. 5 December 2012.

- Christoph Schlingensief: Fear at the Core of Things, Metropolis M, no3 June/July 2012, Amsterdam.

- Land unter in den Niederlanden, Theater der Zeit, Schauplatz Ruhr, January 2012, Berlin.

- Comment vivre ensemble, Notes on Tele_Trust, RTRSRCH, Vol.3 No.2, Amsterdam 2011.

- We doen aan mensen, toespraak uitreiking Prijs van de Kritiek aan de Nederlandse theater- en dansproductiehuizen in Frascati 2011.

- On ignorance, emancipation and the art academy, in: Terry Barrett (ed.), Art works, People respond to contemporary art, Thieme Art, Deventer/Amsterdam 2010.

- Building with blocks, in: Theatre, Dance and Performance Training, Vol. 1(1), February 2010, Routledge, Oxfordshire.

- If artistic research is the answer – what is the question? Some notes on a new trend in art education, in: Victoria Pérez Royo, José Antonio Sánchez (eds.), Practice and Research, Cairon 13, Journal of Dance Studies, Universidad de Alcalá 2010.

- Recht auf Risiko, Theater der Zeit, April 2009, Heft 4, Berlin.

- Pina ist tot, Nederlands Toneelverbond, www.nederlandstoneelverbond.nl, Amsterdam 2009.

- Who is afraid of (art) education? Some indecent proposals, in: Ulrike Melzwig, Marten Spangberg, Nina Thielicke (eds.), Reverse Engineering Education in Dance, Choreography and the Performing Arts, follow-up reader for MODE05, b_books, Berlin 2007.

- Conditions for Research, in: Bertha Bermudez, Scott deLahunta (eds.), Capturing Intention, Documentation, analysis and notation research based on the work of Emio Greco/PC, Amsterdam 2007.

- Together with Alexander Karschnia, Na(ar) het theater, After Theatre?, Supplements to the international conference on postdramatic theatre, Amsterdam 2007.

- Let's suppose the academy is a place for artists…, Preface for AIR#0, a publication to capture the first four years of Artists in residence at the Amsterdam University of the Arts, Amsterdam 2007.

Marijke Hoogenboom

Marijke Hoogenboom became Professor of Art Practice and Artistic Development at the Amsterdam University of the Arts in 2003. She was previously involved in the founding of DasArts, a workspace for the various theatre disciplines. Hoogenboom is a member of the Grants Committee of the Prince Bernard Cultural Fund, and shares responsibility for international policy at the Dutch Council for Culture. She is an in-demand speaker, moderator and consultant in the fields of the arts and art education, in the Netherlands and abroad. In September 2008 she received the Marie-Kleine Gartman Pen for artists and theatre commentators from the Dutch Stage Association.

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